vine-diptych 2006 002concha1_2006 003fringe1_2007 004cobb5_2006 edom no1, 2005 edom no2, 2005 005wash2_2005 edom no5, 2005 006cut2_2006 007end1_2006 008wash1_2005
lowe no3, 2006 009cut1_2006 eaton no2, 2007 cobb-diptych 2006 lowe no5, 2006 flood2 2009 011tail1_2007 012end2_2006 013spike1_2007 014range1_2007 white1 2009
015castor1_2007 016spike2_2007 017stone2_2007 018path1_2007 019merengo1_2006 020flood1_2007 sandspit no1, 2005 sandspit no2, 2005 sandspit triptych, 2005    
CERTAIN PLACES

Feelings of connectedness and ascendancy, anticipation and a little dread, unexpectedly come over me when I find myself in a certain type of place. I love, live for, these energizing feelings. Intuition determines if a given locale is special or just another vacant lot. The right place drives the tedium from my mind and sends me racing into a world of imagination and possibility. While the places I document hold personal significance, representing the identifiable location is unimportant. These are portraits of the evocative feelings and emotions that overcome me; an invitation to go where the past coexists with the present, uncertainty mingles with anticipation, and the familiar delivers the unexpected.

Intuition and memory profoundly shaped my experience of place. The genesis of this series began on childhood vacations, as my family crisscrossed the west in our station wagon on long summer vacations. The view through the backseat window became my portal into a world of imagination and possibility, where time stood still as the vast open spaces slid by in stop motion, framed like natural dioramas. When we stopped, I’d climb out of the car, walk into the desert and sit where I could touch the rocks and feel the emptiness. The tiniest detail brought the limitless space into sharp focus, pushing me to discover what was happening ahead, hidden beyond the horizon; beautiful empty places that I knew could reveal secrets.